I 100 Album Jazz che hanno sconvolto il mondo #22 #21 #20


Morton (p, comp, arr), George Mitchell (c), Edward Kid Ory (tb), Omer Simeon, Barney Bigard, Darnell Howard, Johnny Dodds (cl), Stump Evans (as), Johnny St Cyr (bj), John Lindsay (b), Andrew Hilaire, Baby Dodds (d) and others. Rec. 1926-28

As with Sidney Bechet, it’s devilishly hard to find a single compilation of Morton that covers all the essentials. This one doesn’t quite, but does it better than most, and also does it under the auspices of remastering from original 78s by John R.T. Davies, whose expertise in this area is legendary. Morton’s miraculous flowering in this period has to be heard to be believed, with his arrangements of his own and others’ tunes so multi-faceted, so imaginative and full of incredible creative drive as to be a collective body of genius to place alongside that of Ellington and – much later – Mingus or Gil Evans. Except he did it first. (KS)


Jamal (p), Israel Crosby (b), Vernell Fournier (d). Rec. 1958

Jamal’s ideas about integrated and disciplined trio interplay had already deeply influenced jazz’s inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana’, but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music’s drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists. (KS) 


Joe Zawinul (ky), Wayne Shorter (ts, ss), Jaco Pastorius (b), Alex Acuña (d) and Manolo Badrena (perc). Rec. 1976

Sometimes, when listening to Weather Report at their best and this is one of their very best, it’s worth pinching yourself as a reminder that at their heart, this band comprised one of jazz’s most basic jazz configurations. It’s simply, saxophone, piano, bass, drums and percussion. Then, listen to ‘Birdland’, later covered by Manhattan Transfer and Maynard Ferguson, and wonder. Listen to the boost Pastorius gives the band, especially on his own compositions ‘Havona’ and ‘Teen Town.’ Reaching number 30 on the Billboard album chart, even today Heavy Weather remains as stunning in its overall effect as the day it was made. (SN)

I 100 album jazz che hanno sconvolto il mondo sono stati ideati e compilati da Jon Newey e Keith Shadwick con il contributo di Stuart Nicholson, Brian Priestley, Duncan Heining, Kevin Le Gendre, Charles Alexander e Tom Barlow per JazzWise

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